“Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take ...
Untitled (Nomsa with Africa) I started wearing my hair in an Afro in 1968, at age 14. Though I didn’t know Kwame Brathwaite then, I am sure I was affected by the Black Is Beautiful movement he ...
Two of Mexico’s most beloved icons of 20th-century art, Frida Kahlo and Diego Rivera, portrayed themselves in their work. Kahlo famously created many intimate self-portraits, while Rivera occasionally ...
These works are part of the Museum's Provenance Research Project, which examines the ownership history of objects in our collection.
Wright not only welcomed this hypothetical migration, he sought to design it. At the 1935 National Alliance of Arts and Industry Exposition at Rockefeller Center, he unveiled a massive, ...
Part 1. Searching for Iemanjá: On the Move If you’re looking for Iemanjá in Salvador, Brazil, you’ll find traces of Her wherever you go. In the touristy Pelourinho neighborhood, Her smiling face ...
The Learning Tree. 1969. Gordon Parks I saw this film when I was 18 years old, and Gordon Parks was at that time one of my heroes. So to see a film about his childhood in Kansas was so riveting and ...
Hear from artists, writers, and therapists about what happens when art and grief collide.
Dorothea Lange’s Migrant Mother —made on the edge of a frozen pea field in Nipomo, California, while she was working for the US government in early March 1936—is arguably the most famous photograph ...
The opening work to kick off the Kravis Studio, our new space for performance and time-based art, is Rainforest V (variation 1) (1973/2015), conceived by David Tudor and realized by Composers Inside ...
There is no singular question at the core of Mutu’s work. The artist has said, “The idea of clearcut binaries—African/European, archaic/modern, religion/pornography—I’ve never really believed in that.
Dorothea Lange and Paul Taylor's landmark photobook An American Exodus: A Record of Human Erosion weaves together text drawn from field notes, folk song lyrics, newspaper excerpts, sociological ...